The deck

Games Library

58 runnable cards — 34 contact games, 12 relational, and 12 somatic. Filter to what the room in front of you needs.

Family
Tier
Shape
Time

#1 ① Arriving

The Small Dance

Paxton's foundational meditation. Introduces the whole form's premise — that dance is a negotiation with gravity — before anyone touches. Settles the nervous system and lands…

1–10 (solo, done together) 5–8 min
#2 ① Arriving

Melt to the Floor

Befriends the floor, the most important partner in CI. Teaches the sequential giving of weight and rehearses lowering the body safely — the root of all falling and rolling.

1–10 (solo) 8–10 min
#3 ① Arriving

Body Weather Report

Builds the container and consent culture with words before touch. Normalizes self-awareness and gives you a read on the room. Lowers the stakes with lightness.

2–10 5 min
#4 ① Arriving

The Mirror Hand

First partnering, but without touch — removes the intimacy hurdle while introducing attunement, following, and shared leadership. The on-ramp to listening to another body.

2 (pairs) 8 min
#5 ① Arriving

Follow the Breath

The gentlest weight-and-listening game. Introduces sustained back contact and attunement through a calm, non-threatening channel: breathing.

2 (pairs) 6–8 min
#6 ② Warming

Give Me a Pound

The literal, quantified introduction to sharing weight. Dancers learn that weight can be given in measured amounts and that a partner can be trusted with it, one increment at…

2 8–10 min
#7 ② Warming

Listening Hands

Trains the core skill of following the point of contact in its simplest form, and introduces dancing with eyes closed — trusting touch over sight.

2 8–10 min
#8 ② Warming

Back-to-Back Rise

The classic first counterbalance: standing up together from the floor using shared weight through the backs. A small, reliable taste of "I can't do this without your weight."

2 6 min
#9 ② Warming

The Leaning Tower

Extends counterbalance into exploration: how far can two bodies lean, tilt, and hang off each other while staying balanced? Builds trust in shared weight as a structure.

2 8 min
#10 ② Warming

The Rolling Point

Isolates and trains the rolling point of contact — the single most central skill in CI — first solo against the floor, then with a partner.

1 then 2 10–12 min
#11 ② Warming

Sticky Points

Playful drilling of maintaining unbroken contact through changing shapes. Builds continuity and creativity while keeping the stakes light and fun.

2 8 min
#12 ③ Rolling

Rolling Point Duets

The first true CI duet: a continuous improvised dance led by the rolling point of contact, integrating everything from Tier ②. This is "real" contact improv at an accessible…

2 12–15 min
#13 ③ Rolling

The Counterbalance

Develops true counterbalance in motion — two bodies leaning into and hanging off each other's weight, moving through space as a mutually dependent structure. The doorway to…

2 12 min
#14 ③ Rolling

Give and Take

Trains the active giving and taking of weight as a fluid conversation — the engine of CI. Dancers learn to offer weight, receive it, and pass it back, reading how much a…

2 12–15 min
#15 ③ Rolling

Surfing the Table

Introduces getting onto a partner's supportive surface (the "table" — a hands-and-knees back) and traveling across it. First taste of being supported off the floor, safely…

2 12 min
#16 ③ Rolling

Over and Under

Builds three-dimensional flow: dancers pass over and under each other continuously, training level changes, spirals, and the vertical dimension of the dance.

2 10–12 min
#17 ③ Rolling

Follow the Blob

The first group contact score. Multiple bodies stay in continuous contact as one moving mass, training group attunement, spatial awareness, and shared weight beyond the duet.

3–6 (small group) 12–15 min
#25 ③ Rolling

Falling & Rolling Practice

Dedicated training in the single most protective skill in CI: dispersing a fall across a rounded body into a roll, rather than catching it on a joint. A group that can roll…

1 → 2 12–15 min
#26 ③ Rolling

The Underdance

An entire duet danced low — on and near the floor — where bodies roll through, under, and around each other continuously. Delivers rich, complex contact with almost none of…

2 12–15 min
#31 ③ Rolling

Flocking

Ensemble attunement with little or no contact: the group moves as a flock — a murmuration — following whoever is momentarily at the "front," leadership passing silently as…

4–10 8–10 min
#18 ④ Flowing

Off the Vertical

Trains the willingness to leave stable uprightness — to go off-balance on purpose and trust the partner and the floor to catch the fall. The psychological gateway to advanced…

2 12–15 min
#19 ④ Flowing

Momentum Studies

Introduces momentum as a dance partner — using swing, arc, and centrifugal force so that movement flows from physics rather than muscle. The efficiency that makes advanced CI…

2 12–15 min
#20 ④ Flowing

The Rolling Table

Advances Surfing the Table into continuous flow: the supporting surface itself moves and morphs, and the supported dancer travels across a changing landscape — training…

2–3 12 min
#21 ④ Flowing

Trio Weather

Trains the specific intelligence of the trio — the constant shifting of who's dancing with whom, when to join, when to give space. The bridge from duet fluency to true…

3 12–15 min
#27 ④ Flowing

Sliding & Gliding

Harnesses momentum on a smooth floor so a body travels by gliding rather than stepping — the signature pleasure of a hardwood or marley surface. Trains sending, receiving,…

2 10–12 min
#28 ④ Flowing

Suspension & Hang

Explores hanging part or most of one's weight off a partner's stable frame — traction, grip, and the delicious length of a hung spine. A lower-risk cousin of lifts: no…

2 10–12 min
#29 ④ Flowing

The Spiral

A continuous helix: two bodies winding up and down around a shared axis without stopping. Integrates level change, rotation, and momentum into one seamless phrase — the…

2 10–12 min
#32 ④ Flowing

The Landscape

Extends Surfing the Table and The Rolling Table to a group: several bodies become a shifting terrain — tables, slopes, bridges, valleys — while one or two dancers travel…

4–10 12–15 min
#33 ④ Flowing

Group Weight-Sharing (The Pile)

The whole group becomes one mutually-supported structure — everyone giving and receiving weight at once, a collective counterbalance. The felt experience of a group literally…

3–10 10–12 min
#22 ⑤ Fluent

Taking Flight

Introduces lifts — one body fully supported off the floor — arising from momentum and shared weight rather than strength. The most exhilarating and highest-risk element in…

2 (+ 1 spotter) 15–20 min
#23 ⑤ Fluent

Disorientation Scores

Deliberately trains dancing while upside-down, spinning, and spatially disoriented — the state where the body's righting reflexes lead. The frontier where advanced CI becomes…

2 12–15 min
#24 ⑤ Fluent

The Round Robin Jam

The traditional culminating form of a CI gathering: an open, self-organizing jam with a witnessing container. Integrates everything — duets form and dissolve, dancers enter…

4–10 20–40 min
#30 ⑤ Fluent

The Lift Vocabulary

Gives Taking Flight (#22) concrete form: three named, relatively accessible lifts that arise from shared weight and counterbalance rather than muscle. A vocabulary to draw on…

2 (+ 1 spotter) 15–20 min
#34 ⑤ Fluent

The Long-Form Score (The Underscore)

An extended, gently-structured group improvisation — inspired by Nancy Stark Smith's Underscore — that gives a long jam a shared arc. The room moves together through a…

4–10 30–60 min
R1 ① Arriving

The Noticing

Builds the single most foundational AR muscle: present-moment noticing, spoken plainly. Trains dancers to report what's actually here (sensation, not story) — the exact skill…

2–10 5–8 min
R3 ① Arriving

Yes / No / Maybe

Trains the consent muscle relationally and playfully before it matters physically. Dancers rehearse giving a clear, cost-free "no" and feeling that it's genuinely welcome —…

2 6–8 min
R8 ① Arriving

The Appreciation Circle

A closing practice that lands the group's connection in words and sends people out warmed rather than raw. Completes the relational arc; strengthens the container for next…

3–10 6–10 min
R2 ② Warming

Eye-Gazing

The quintessential AR practice and a near-perfect CI primer. Two people simply see and are seen. It builds the capacity to stay in contact — here through the eyes — through…

2 6–10 min
R4 ② Warming

The Ask

Teaches dancers to ask for what they want in contact — a skill most people find harder than consenting. Dissolves the passivity that makes CI duets vague, and builds the…

2 6–8 min
R5 ② Warming

Attunement Dyads

Bridges being-with into the body. Partners synchronize without touch, training the outward attention — Circling's being with the other in their world, ART's assume nothing —…

2 8 min
R6 ② Warming

Two Truths in the Body

Lightweight honest sharing that surfaces the actual human behind the dancer, fast. When people know one true thing about each other, weight-trust jumps. Builds AR's…

2 8–10 min
R9 ② Warming

The Trust Lean

A graduated lean-and-catch that builds physical trust directly and consciously — the bridge between relational trust and weight trust. Dancers learn, in small increments,…

2 8–10 min
R11 ② Warming

Wordless Conversation

Builds expressive and receptive non-verbal range — the whole channel CI communicates through. Partners hold a "conversation" in gesture, movement, and sound alone, practicing…

2 8–10 min
R7 ③ Rolling

The Gazing Duet

The full fusion of AR and CI: a moving contact duet in which partners maintain eye contact throughout. Radically deepens presence and trust, and reveals how much dancers hide…

2 10–12 min
R10 ③ Rolling

The Trust Circle

The classic group trust practice: one person, eyes closed, is gently supported and passed around a close circle of hands. Builds deep group trust and lets an individual…

5–10 10–15 min
R12 ③ Rolling

Follow, Lead, Unite

Trains the three non-verbal states every improviser toggles between — following, leading, and co-creating — and, crucially, the fluid unspoken negotiation of who's doing…

2 (then small groups) 10–12 min
S1 Breath

Three-Part Breath

The foundational breath practice: a slow, full breath — around six breaths a minute — which reliably raises vagal (parasympathetic) tone and drops attention out of the head…

1–10 (solo, together) 4–6 min
S2 Breath

The Sighing Exhale

A fast, reliable tension-release: the audible sigh dumps held stress and physically drops the body's weight toward the ground — a direct rehearsal of giving weight.

1–10 (solo) 2–4 min
S3 Breath

Breath-Led Sway

Lets breath begin to move the body, dissolving the line between stillness and dance. Builds the sense that movement can arise on its own — the improviser's core trust — while…

1–10 (solo) 4–5 min
S4 Qigong

Standing Like a Tree (Zhan Zhuang)

The classic qigong rooting posture. Builds a grounded, weighted, structurally-aligned stance — the physical and mental foundation of every counterbalance and every stable…

1–10 (solo) 4–8 min
S5 Qigong

Shaking & Bouncing

Spontaneous shaking (a qigong / tension-release practice) that warms the whole body, releases held stress, and — invaluably — dissolves self-consciousness. One of the best…

1–10 (solo) 3–5 min
S6 Qigong

Cloud Hands

A flowing qigong movement (from tai chi) that trains shifting weight side to side and moving from the center with continuous, unbroken flow — the exact qualities that make CI…

1–10 (solo) 5–6 min
S7 Qigong

Holding the Ball

Trains the fine attention qigong calls listening — the ability to notice very small changes at the edge of the body, which is precisely the attunement a CI dancer uses to…

1 → 2 6–8 min
S8 Yoga

Cat-Cow & Spinal Waves

Mobilizes and articulates the spine — the single most important structure in CI (rolling, arching, folding all live in a supple spine). A staple of the active warm-up before…

1–10 (solo) 4–6 min
S9 Yoga

Joint-Freeing Warm-Up

Systematically mobilizes the exact joints CI loads unusually — wrists, shoulders, neck, spine, hips, ankles — in a yoga-derived sequence. Run it moving, not as static holds:…

1–10 (solo) 5–7 min
S10 Somatic

Constructive Rest & Body Scan

A deep-release rest posture plus a guided body scan, for arriving fully in the body's felt sense and, at session's end, for integrating and downshifting. Teaches giving all…

1–10 (solo) 5–8 min
S11 Qigong / Somatic

Finding Center (The Hara)

Locates the body's low center — the hara in Japanese practice, the lower dantian in Chinese, roughly three finger-widths below the navel — and teaches breathing and moving…

1–10 (solo) 4–6 min
S12 Somatic / Embodiment

Authentic Movement

A foundational embodiment practice developed by Mary Starks Whitehouse in the 1950s out of Jung's active imagination, and formalized into the mover/witness structure used…

2+ (in pairs: one mover, one witness) 10–15 min